Over the last month I’ve been revising Enorians book two. It’s been so great to dive back into the world and fill in the gaps, to make it just that much better than it already is. Thankfully this rewrite is significantly less intense than the two I did on the first book, so I should have it finished in a couple of months.
I thought it might be fun to introduce the main characters like I did with the first book a few months ago. For an explanation of the gods and races, see here. And away we go!
Vivian Darrow is the 20-year-old Veroxian x Aesan descendent of the Aesan king, Aldar of Aynsi. Vivian was brought up by her adoptive father, Enrik, on a small, secluded farm in the highlands of Scotland. Through her first twenty years, Vivian has never ventured farther than the woods surrounding their little farm, though she longs for something more adventurous than her simple, boring life of caring for crops and animals. But when her fate comes calling, Vivian will realize adventure and excitement comes at a cost.
Vivian held out her arm, and Aphra, the osprey, landed gently, flapping her wings to steady herself. She stuck out the leg that clutched her prey.
“Hello, my love. Is that for me?” Vivian grinned, stroking Aphra’s sleek head before taking the hare. “You’re too kind.”
The bird’s talons dug into Vivian’s arm as she balanced herself, her yellow eyes peering at Vivian is if waiting for something.
“Oh, I’m sorry.” Vivian slung the hare over her shoulder and dug in her pocket for a piece of dried venison, Aphra’s favorite treat. She held it out for the bird, who gently plucked it from her palm. “You deserve all the treats, my beautiful, vicious predator.”
The absolutely amazing drawing done by the incredibly talented Fran Matos. More drawings of the point of view characters to come!
Enrik Darrow is the 217-year-old Lorosian x Gorien former member of the council that once protected the mother of the prophesied savior. Enrik didn’t expect to love the daughter he adopted as much as he does. After determining the only way to keep Vivian safe was to keep her with him, Enrik took her in and spent the next twenty years doing everything in his power to keep her happy and protected. But when she learns the truth he’s been hiding from her, he’s finally forced to allow her to leave the safety of the farm to fulfill her destiny.
“Atta girl.” Her father, Enrik, stood in the doorway, grinning. A doorway that stretched far above Vivian’s six-foot height, a doorway that could’ve easily fit three of Vivian side by side to accommodate her father’s massive frame. In human years, Enrik looked to be in his early thirties, though no one could’ve ever mistaken him for human. In his true form he towered above her at just over eight feet.
Droken Ensori is the ancient Enosian leader of the Loyalists, those loyal to Enos, the god of war. Droken is one of the rare few alive who came through the portal from Enoralori. He has spent his life working toward creating a special marking that will allow him to return his long-lost children to him, a marking similar to the one that has kept him alive well beyond the point of his would-be death, though lately he’s been working on something special for his god, something that will finally allow Enos to take London and bring down their human foes, the Londoners.
He pulled a small journal out of the inner pocket of his long, fitted coat, taking a few minutes to write down the results of his work. Then, after slipping it, his pen, and his spectacles back inside, he put all his books, the ones he’d carefully collected and written over the years, the ones about markings, and how to create new ones, back into their trunk along with the papers he intended to keep. The ones on the floor he tossed into the empty fireplace. They could be dealt with later. Still holding the lantern with the metal fingers that had been grafted onto the bone joints of his right wing after he’d removed the useless bits, he locked the door behind him.
Important side characters:
Aphra – The osprey Vivian saved and raised is her only friend until she meets Mira.
Mira Fogore – The Mersian helper of Ulvan Zahr is Vivian’s first non-animal friend.
Ulvan Zahr – The Lorosian x Enosian holder of the god-blessed Martyr’s Plate, bestowed upon him by Enos before the enorians came to Earth.
Draea Sandoval & Akrin Ensori – Siblings and children of Droken Ensori.
Enos – God of War who has been trapped in the mortal body of the Aesan king, Aldar of Aynsi, for over 1500 years.
What I wrote over the last week
Enorians Book 2 – Draft 2 Chapters nineteen and twenty (it’s been a rough week)
What I read over the last week
Harry Potter and the Chamber of Secrets by JK Rowling
For those who don’t know, plotting and pantsing are terms we novelists use to describe how we work on a story. Pantsers typically just take an idea and run with it and see where it takes them with minimal planning. They fly by the seat of their pants, if you will. Or, at least, that’s how I understand it. A plotter, though, plans out their story ahead of time, makes an outline of some sort, and then follows it while they’re writing. Some people, of course, fall somewhere in between.
Back in the day, during my undergrad years, I was a pantser. I don’t think I even considered plotting out a story. And so, I pantsed my way through the very first version of Rowan’s (first Enorians book) story, mostly while sitting in my Ancient World on Screen class, in the dark auditorium, as movies likes Alexander and Clash of the Titans played on the giant screen.
I also attempted, multiple times, to pants my way through the first version of Vivian’s (second Enorians book) story and failed every time. I never managed to make it to the end.
I stuck with being a pantser for years after that. In fact, I continued to flounder my way through Rowan’s story up until just over a year ago. Over the years since that first version, I pantsed my way through not one, but two rewrites. The first, I don’t remember well, but the second I wrote during 2019, and it came in at an insane 300,000 words, mostly because I didn’t know where I was going with it, so I’d just throw in scenes that I thought would be useful.
Turns out I was wrong.
It wasn’t until my amazing and wonderful writing buddy (who has here own website dedicated to her work here) told me about Save the Cat Writes a Novel by Jessica Brody that I even considered changing the way I was doing things. Save the Cat quite literally changed my life. I realized that while pantsing may work for some people, I am not one of those.
Writing has gotten so much easier since I started plotting, it’s kind of ridiculous.
It took me something like eight years to actually finish the first rewrite of Rowan’s story, and then it took me another full year to do the second rewrite. Neither of which were good or planned out well and felt like disorganized messes. I mean, part of what took me so long in finishing Rowan’s story was just not giving it the attention and time it needed, but I think the lack of structure and planning didn’t help.
The third rewrite, after using Save the Cat to create beat sheets for all the POVs and actually planning out the book, took me like five months. And Vivian’s story, which I hadn’t actually finished up until last year, took me six months to write after I plotted it out. To be fair, part of it being finished so quickly was because I ended up having two months off due to COVID, but still. If I’d been trying to pants my way through that, I never would’ve finished in that amount of time, nor would it have been anywhere near as solid of a first draft as it is.
I’m now a and a half chapter away from finishing the unintended Children of Oher, which means I’ll have written that in two months. If someone had told me ten years ago I’d write a nearly 90,000 word book in two months, I would’ve laughed so hard, but I did it. And the reason I could finish it so quickly is because I knew exactly where I was going with it. I am 100% certain that if I hadn’t sat down and created beat sheets and plotted out this book chapter by chapter before starting it, I wouldn’t be anywhere near this close to the end. And it would likely be a mess.
I’m not saying everyone should be a plotter. What works for one person, doesn’t work for others. I know some people see plotting as restrictive – though, it’s not like you have to stick with the plot you came up with. The Children of Oher started as a 24-chapter outline. I added chapters where I needed them and changed some along the way, but overall it stayed relatively the same – and others say it ruins their motivation to work on the book because the story’s already figured out. I haven’t personally had that issue, but I can see where that would be true.
I don’t know, maybe I was just pantsing wrong? Maybe there is a right way to do it and I was not doing it that way. Or maybe it’s just that certain people can’t be pantsers, which, yeah, I now fully believe I am meant to be a plotter. But if you’re a pantser and you’re struggling, I highly recommend Save the Cat Writes a Novel, though I’m sure there are tons of other books out there about plotting your novel. Just try it and see how it goes, and if it doesn’t work for you, well, that’s okay, too.
What I wrote this week
Chapters twenty-five through twenty-seven of The Children of Oher
What I’m reading right now
This is How You Lose the Time War by Amal El-Mohtar and Max Gladstone
Anyone else ever come up with a short story idea and have it turn into a novel? Somehow that happens with a lot of things I write, apparently. As I may have mentioned, I’m terrible at short things. Though, to be fair, this is considered short when you compare it to my Enorians books. I’m sure it happens to a lot of people. In fact, I was just watching the Neil Gaiman Masterclass, and he was talking about The Ocean at the End of the Lane, which, if you read my last post, you know if one of my favorites. That book started out as a short story, too, and then grew into the beautiful novel it is now.
Anyway, point is, here I am, writing an unintended book. Whoops.
In writing this, I started considering whether I should change my plans a bit for next year. Originally, I planned to revise book two of the Enorians Saga, then revise book one again once people get back to me, and in the second half the year, write book three. The thing is, though, I am well aware that my Enorians book one is long. It’s very long. Like in the 700s of pages long. And while that’s fine for already-published authors, I know publishers might be less likely to accept it simply because it’s…well, very long, and I am untested, if you will.
Now, that doesn’t mean I’m not going to try querying it next year anyway, because I will, but I’m considering using the second half of the year to revise The Children of Oher a couple of times instead of writing Enorians book three. See, I have a feeling this much-more-reasonable-length book will be easier to have picked up, since it looks like it’ll be coming in under 100,000 words (Enorians book one, on the other hand, is over 200,000). That way, in case I struggle to get Enorians book one picked up, I have the Children of Oher to start sending out in 2022. Gotta be realistic, right?
That also gives me a chance to write my horse story, Spirits of the Sea, since that should also come in at a much more reasonable length than anything Enorian-related. Who knows, though, maybe I’ll just really want to work on Enorians book three in July.
If all goes as I hope, Enorians book one will be my debut novel. If not…Well, I like this new book, too, and then the Enorians will just have to wait their turn.
I know, of course, that self-publishing is an option, but that will be a last resort. I’d much prefer to go the traditional route. I definitely don’t need to be published by one of the big ones; I’m happy to be picked up by a small press, but there’s just so much involved in getting a book published that I’d rather let professionals handle (like finding editors, cover artists, formatting/layout, etc).
I was going to do a “Meet the Characters” for Enorians book two this week in anticipation of starting the revision next week, but since that’s being pushed back a month, let’s meet the characters from The Children of Oher instead! These will not be as extensive as the ones from my post a few weeks ago where I introduced Rowan, Aurea, and Draea from Enorians book one.
Meet the Characters
All pictures were made on artbreeder.com
Kora Mercer – Brought into Orilon against her will and forced to marry a man she’s never met, Kora just wants to get the heck out of there. While she doesn’t trust anyone around her, she is willing to use them to escape if that’s what needs to happen. Though she’s got no one left beyond the walls of Orilon, she still wants nothing to do with the town or the Children of Oher and would rather brave the abominations running around outside than stay where she is.
Asher Lindgren– Struggling between doing his duty to Orilon and Oher and also wanting to be with his best friend and love, Shay, Asher isn’t sure what to do. Shay’s been trying to convince him to leave, but Asher feels bound to do what needs to be done for the good of the Children. It’s more than that, though; he also fears he won’t be able to keep Shay safe from the monsters outside the walls, the same way he couldn’t protect his brother. He tells himself they can find happiness within Orilon, even while secretly knowing that isn’t true.
Shay Clarke – Having been in love with his best friend, Asher, for years, Shay just wants to leave so they can be together. He let things be what they were for a long time, but once news came of the upcoming wedding, and knowing the two of them could never be happy in Orilon, he started trying to convince Asher to leave with him. The problem is, neither Asher nor Shay have ever gone beyond the fields just outside the walls, which means they’ll need help navigating the world beyond the town.
Cleo Harper – Aka Harp – Another of the girls who was brought in with Kora, she is forced to marry Shay, but as luck would have it (luck or Asher requesting the living arrangements), she ends up living right next to Kora. Like Kora, she wants to escape, too, but she does have people outside that she needs to find, so she asks Kora for help.
Oelia Payne – The Divine Elder of the Children of Oher. When the people of Orilon stopped conceiving female babies, she took it as a sign Oher was angry at them and was punishing them for allowing the abominations to live amongst them. She had to take matters into her own hands and start bringing in women from outside. Then the Melting Death happened, and she knew that was another punishment, not just of the Children but of the whole world. She’s doing all she can to attempt to appease the goddess and atone for their sins.
What I Wrote Over the Last Week
Chapters six, seven, and eight of The Children of Oher.
To continue from last week’s idea of friendship and how making friends as an adult is hard, I wanted to talk about, well, friends. I’ve never had a large number of friends, and that’s fine. I’d rather have a small number of close friends than a lot of superficial friends. But I’m sure I’m not the only one who struggles with making friends as an adult. I’ve had a lot of work friends, people I say I’ll keep in touch with after I leave that job, but we rarely do. I know that’s partially me being terrible at staying in communication with people (even my sisters), but also it’s hard to stay connected when your schedule is different than theirs and you each have such separate lives.
There’s two exceptions to that I-suck-at-staying-in-touch-with-friends part of me. I talk to my dear friend and writing buddy of a year and a half daily, but I think that’s just a rare case of us being essentially the same person. And then there’s my BFF, who I’ve spent the last I don’t know how many years texting every day. Some days we literally say good morning and then don’t really text much the rest of the day because I have work and writing and a million other things to do, and she has three kids.
Friendships as adults are weird because we grow up seeing our friends at least 5 days a week, sometimes more if we saw each other on weekends. We grow up getting to spend literal years seeing them so often, and then suddenly school is over.
Now you’re stuck trying to juggle working, existing as a responsible human adult, fitting in your hobbies or pets or spouses, or in my case, making time to write every day, and also every so often getting to see or even just talk to your friends. It’s so different from being essentially forced to spent hours a day with your friends during school, so it’s unsurprising that making friends as an adult is hard. It’s one thing to stay in contact with people you were already friends with in school, like I do with my BFF. That’s so ingrained in my daily routine that if we don’t text each other, it feels wrong.
And I think that’s why it’s so easy to become friends with your coworkers, because you’re forced to spend hours with each other. But then when that time spent together vanishes because you find a new job or they find something else, it becomes difficult to stay in touch for all the reasons mentioned above.
But anyway, friends. The reason I wanted to talk about them, really, is because I think friends are so important. Of course, your family (if they’re not toxic, terrible people obviously) and your SO are important, too, but friends are so necessary beyond those people. There are things my friends understand that even my family and my boyfriend don’t. Like the insanity that is my desire to read 90 books in a year or horses. I need my horse friends to gush over horses with.
My BFF just moved back to Wisconsin a few weeks ago, and it’s been so wonderful to get to actually see her again and to have her within driving distance. Sometimes you just need to see your friends.
And I somehow manage to just only make short friends, so I look like a freaking giant when I stand next to them. Thanks, Dutch genes.
So anyway, how does that relate to my books? Well, when I first wrote book one, many moons ago (like 10+ years), it really had no friendship in it as far as I can remember. But…that draft is a hot mess, a disaster. We don’t talk about it. It will never see the light of day. So now onto the current draft, when I realized people need friends, there’s actually three major friendships: the one between Rowan and Robin, the one between Aurea and Draea from both sides, and the most important one between Aurea and Eliana.
Rowan leans on Robin often. He seeks her out for advice and comfort. Their friendship is forged on the foundation of shared grief. And when human comfort isn’t enough, Rowan turns to his beloved animals: Ateela and Alvaro. I think in Rowan’s case, those animal friends are even more essential to his mental health than even his human ones are. So I guess I should amend the earlier statement and say there are four major friendships, the final one being Rowan and his animals.
Aurea and Draea’s friendship is different in the sense that it began with Draea caring for Aurea and her brother when they were younger. Their friendship is more than just friends. They have something of sisterly bond. Aurea even sometimes considers Draea like a mother figure. They depend on one another, and when Aurea has to go on her mission, they both struggle with being away from each other, Draea in particular.
When I first wrote about Aurea questioning her beliefs (not a spoiler since it’s mentioned in the blurb in the “Projects” page 😉) it all stemmed from her relationship with Rowan. Now, while that was all fine, I wanted there to be more than just her changing for a boy. We’ve all seen that before. Eli was already a character by then, and someone Aurea was superficially friends with. So I had all the groundwork there. I just needed to solidify that friendship, and I think Aurea’s arc is much stronger for it, because now her change doesn’t stem from just Rowan. In fact, it starts with Eli when she realizes humans really aren’t all that different from her. I really wanted Aurea’s change to come from more than just a boy, and I hope that worked the way I intended.
I really love all the friendships in this book. I think friendship and its importance shows up in two and three, as well, in different ways. So, anyway, now that I’m done rambling about friends and their importance and friendships in book one, here’s a couple of excerpts showing the three POV characters and their friends.
It was pretty hard to pick for Draea and Aurea, since they don’t actually get to see one another from chapter one through forty-five, so most of their friendship details come from background details and letters Aurea writes to Draea. I was going to show something from Draea’s POV, but instead here’s a small excerpt from when Aurea first gets settled in her new room in Orien’s Haven.
From Chapter 3
But even more important than the concealer was the note and the present Draea had given her before she left. If she’d lost them, she would’ve been devastated. She opened the box to reveal a thin silver chain with a circular pendant hanging at the middle. Etched into the pendant were three symbols: A halfmoon curved along the right side and along the left, the symbol for Enos, the silhouette of his curved horns, their tips meeting the tip of the moon. Between the two curves of the horns and the moon hung a drop of blood. The symbols of the gods they’d come from. Kalasandria for Aurea, and Verox and Enos for Draea.
Aurea touched the little pendant, a small smile playing on their lips. Draea had one just like it, though neither could wear them openly. Aurea tucked the box in with the tubes of concealer, unfolding the note.
In case you ever get lonely or miss me. Know I’m always here. I believe in you, my sweet Auri. I love you.
And Another From Chapter 10
She found a tall, sweeping tree overlooking the lake, one with white flowers covering its entirety. She had no idea what it was, what kind of fruit it grew, but she settled herself beneath it and lay flat on her back, gazing up at the clusters of white. She smiled at the surge of memories.
Many warm nights, after training, she and Draea would go into their backyard, small as it was, and lay below the tree that took up a majority of the space. They’d stare up through the leaves at the darkening sky, watching the pink-tinged clouds float by, arms pressed together as they lay side by side. Sometimes they’d talk about their days, sometimes they’d lie together in silence. On more than out occasion, they’d taken turns consoling one another, arms wrapped around the other as she cried. Most recently, she’d been the one holding Draea, promising her she’d be back, that she’d be fine.
Tears prickled behind her eyes. Gods, how she missed Draea. It was like a piece of her was missing. She lay there on the uneven ground for a long time, watching the clouds through the breaks between the flowers, listening to a bee buzzing near her head. Another one moved above her, going from flower to flower lazily. The wind rustled the flowers, sending a few stray petals floating down toward Aurea. It was peaceful there, as she’d suspected. And yet her stomach held itself in a tight knot.
For Rowan and Robin I’m just going with the introduction of Robin, which is a moment where Rowan gives her a birthday present.
From Chapter 4
After dropping off the groceries with Samina, the head of the kitchen, he found Robin cleaning the library. Her son, Oliver, was strapped to her chest with a wrap wrapping over her shoulders, between her moth-like wings, and around her middle. Her dark grey skin and her short black hair had the same bluish quality when the sun hit it.
“Dahlia and Carolin are joining us for lunch, if that’s okay,” Rowan said, holding out his hands in an offer to take Oliver.
Robin loosened the wrap and pulled out the six-month-old boy, handing him to Rowan with a grateful smile. “Thanks. He’s getting heavy.” She rolled her shoulders. “That’s fine with me. Is it okay if Emilie comes, too? I ran into her a few minutes ago and might have invited her.”
“Of course. The more the merrier.” Emilie Kiman was one of his horse trainers, a young Mersian who Robin had become good friends with after she’d moved into the house not long before Oliver was born. He set Oliver on his hip and dug in his pocket with his free hand. “Here. I know it’s early, but happy birthday.” He held out the little box.
Robin scowled. “Rowan! You don’t have to get me anything. You do enough just letting us live here.”
“Nonsense. I already bought it. Take it.” He pushed it into her hands.
She shot him a dirty look before opening the box. “Oh, Row. Thank you.” Tears brimmed her bright green eyes. “It made me think of Aims when I saw it. It’s why I liked it so much.” She moved closer and hugged him tightly.
He wasn’t sure why he hadn’t made the connection. Aimery had been a Kezerite, so of course the lightning-like pattern had made her think of him. He wished, as he always did when she was reminded of her dead husband, he could take away her pain. Rowan gave her a squeeze with his free arm. “Sorry I made you cry.”
Robin laughed, wiping at her eyes. “No, no. Thank you, really. It’s beautiful. I love it.”
For Aurea and Eli, there’s a moment where Aurea misses Draea greatly and the two women bond over missing their friends.
From Chapter 10
“Hey, Lena. I thought that was you.”
Aurea tilted her head back to see Eliana walking over. “Oh, hey.” Eliana’s smile made her feel better somehow.
“Mind if I join you?”
“Not at all.”
Eliana lowered herself to the ground, stretching out beside Aurea. Her arm touched Aurea’s, Eliana’s foot bumping hers. The faint scent of Jasmine washed over Aurea, settling her and filling her with a quiet peace.
Aurea swallowed the lump rising in her throat at how familiar this felt.
“What are you doing over here?” Eliana asked.
“Just watching the clouds.”
“The flowers are kind of in the way, though.”
“Well, yeah. But I like them better anyway. They’re pretty.” And they reminded her of the little while flowers that grew along the fence in their yard at home.
“Are you okay?” Eliana tilted her head to look at Aurea. “You seem sad.”
“I miss home. And my best friend. I thought it would be easier, moving here.” Aurea met the hazel eyes. “You know?”
Eliana smiled sympathetically. “I understand missing a best friend.”
Aurea had all but forgotten that Eliana’s best friend had moved away. “How long ago did she move?”
“Last summer. She went north.” A sadness flickered across her face, smile faltering.
“Why did she leave?” Would Eliana get to see her again? Or was her friend lost to her? An ache bloomed at the idea of never seeing Draea again. At least Aurea knew she’d get to be with her again.
“She followed a girl, someone she loved.” Eliana sighed, eyes turning skyward. “I don’t blame her. If Warren asked me to leave with him, I would.”
Aurea wouldn’t leave Draea. Not permanently. Not for anyone.
“Have you ever been in love?” Eliana asked after a moment.
“A few times.” And each had ended in heartbreak. She’d fallen hard and fast every time. But she’d never have considered moving away from The Isles permanently, for any of them. Draea, though, she knew, would’ve left with Edur. She’d been considering it, considering moving to the mainland when he’d been killed in that hunting accident.
Guilt slithered into her heart at the memory of the relief that’d filled her. At the relief of knowing Draea wouldn’t leave her. But gods, had she felt awful for feeling that way. Draea had been grieving her son, her husband, and all Aurea could think was how grateful she was that Draea wouldn’t be abandoning her. It still made her sick to think of her own selfishness.
“So you understand, too, then, the lengths you’d go to, to stay with them.”
“Yeah.” But she didn’t. And maybe she never would understand what it was like to love someone so deeply, so thoroughly, that she’d be willing to leave The Isles, willing to leave Draea for him. Aurea turned her head to look at Eliana, a fondness for the other woman filling her as she inhaled another lungful of the faint Jasmine smell. She smiled when Eliana grasped her hand, grateful for the woman’s presence, for her understanding.
“It’s okay to be sad and miss your friend. You don’t have to pretend with me.” Eliana squeezed lightly. “We can be sad together.”
Aurea laughed. “Sounds great.” It was nice to have someone to talk to, someone she felt comfortable with, someone she could spend time with without worrying about pretending to be okay with it.
“What brought you to the orchard? I’ve never seen you here.”
“It looked quiet. I just wanted to be alone for a bit.” Aurea turned her gaze to the flowers again. “Do you come here much?”
“I work here on and off. I switch between the green houses and here depending on where I’m needed.”
Aurea didn’t know how Eliana had enough time for everything she did. “So you work here and at the green houses, The Tea Room, and you run your market stall?”
Eliana grinned. “And sometimes I help Warren’s father at the butchers.”
Aurea laughed again. “How do you have time for yourself?”
Eliana’s smile faded. “I like to keep busy. Keeps me from thinking too much.”
They were silent for a while, Aurea waiting to see if Eliana would elaborate. But it seemed like Eliana wasn’t ready to explain. Aurea’s eyes found the little white flowers, the sun peeking through the clouds beyond and sneaking through the petals to warm her face. “What kind of tree is this?”
“A pear tree.”
“What other kinds of fruit grow here?” She wondered what pears tasted like. Were they sweet or tart? Or bitter? She had no frame of reference. She doubted anything she’d ever eaten compared to the fruits growing in the orchard.
“Apples, plums, and cherries grow on the trees. But we also have a couple rows of berry bushes.”
Aurea lifted herself slightly to look behind her. All the trees were covered in flowers of white or varying shades of pink. It was beautiful here, peaceful. Not the same peacefulness she felt at home, laying in the backyard, listening to the sounds of the ocean, but as she settled herself back beside Eliana, she felt the homesickness ebbing. The wind rustled the flowers of the pear tree, sending ripples across the lake down below.
And because Rowan and I are both crazy horse girls, I have to include Rowan and Alvaro from about halfway through the book, so I’m cutting it a bit short due to spoilers.
From Chapter 38
When Rowan reached the stable, he grabbed the lantern hanging outside the side door and brought it into the dark building. The familiar sound of soft, sleepy nickers came from the stalls nearby as he shut the door behind him. He inhaled the scent of hay and horses, making his way to Alvaro’s stall. Ateela followed, pausing every now and then to sniff at the floor.
Alvaro stuck his head over the stall door when Rowan neared, greeting him with a whicker. Other heads poked out of nearby stalls, curious who was interrupting their sleep.
“Hey, buddy,” Rowan said, hanging the lantern on the wall beside the stall. He slipped inside and quickly shutting the door again before Ateela could get in. “Sorry to wake you.”
Alvaro nosed at his pockets, blowing through his nostrils.
“Ah, you don’t care that I’m here. You just want these, don’t you?” Rowan smiled, digging a few treats out.
Alvaro’s soft lips brushed against his palm as he took them from Rowan’s hand.
Rowan brushed aside the stallion’s forelock and rubbed his forehead. He already felt much calmer than he had earlier, surrounded by the familiar, comfortable smell of the horses, the sounds of hooves moving over hay-covered floors. He pressed his forehead against Alvaro’s, closing his eyes.
Ateela pawed at the stall door, whining.
When Alvaro had eaten the treats, Rowan moved back over to the stall door. He opened it enough to let Ateela in, then lowered himself onto the floor, leaning against the wall. “Mind if I stay for a bit?”
And Alvaro, as if sensing Rowan needed it, lay down and draped his head over Rowan’s lap. Ateela lay down on his other side, pressing his warm body against Rowan’s leg.
Tears filled his eyes as Rowan ran his hands over the stallion’s face.
What I wrote over the past week
“Typheus the Wind Scythe” – A myth about how a weapon of Kezerien’s, a wind scythe, became a god-blessed weapon.
I finished up “The Journals of Silsia.” And you’ll be shocked to hear this, it came in at just over fifteen pages, because what even is short?
A for funsies scene from Ien’s POV that I can’t explain due to spoilers for book two.
Some background stuff about Droken to get to know him better and flesh him out more before I start revising book two.
“The Heart of Darkness” (no relation to Heart of Darkness the book hahaha) – A myth about a god-blessed lantern of Borea’s that allows the holder to live even beyond the moment they should have died while they seek their vengeance.
What I’m reading right now
Gideon the Ninth by Tamsyn Muir
Dreadful Young Ladies and Other Stories by Kelly Barnhill